Œuvres complètes de Guy de Maupassant - volume 09 by Guy de Maupassant

(8 User reviews)   1758
Maupassant, Guy de, 1850-1893 Maupassant, Guy de, 1850-1893
French
Ever wonder what's really going on behind those perfectly trimmed hedges and polite smiles in a French village? That's exactly what Maupassant shows us in this collection. Forget the postcard image of 19th-century France. Here, you'll meet a man so consumed by jealousy over his wife's supposed affair that he buys a pair of opera glasses just to watch her from a distance. You'll follow a seemingly ordinary family on a boating trip where a simple, forgotten lunch reveals shocking truths about love and betrayal. Maupassant has this incredible knack for taking a single, quiet moment—a glance, a missed meal, a walk in the woods—and cracking it open to show all the messy, dark, and painfully human drama inside. It's not about grand battles or epic quests; it's about the quiet wars people fight in their own hearts and living rooms. If you think classic literature has to be stuffy, this volume will change your mind. It's sharp, surprising, and feels unnervingly modern.
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This isn't a single novel, but a treasure chest of Maupassant's shorter works. Think of it as a series of brilliant, brief visits into different lives. In one famous story, "The Horla," a man becomes convinced an invisible, malevolent being is slowly possessing him. We experience his terror firsthand through his diary entries as his sanity unravels. In stark contrast, tales like "The Umbrella" find comedy in the petty obsessions of a miserly woman, while "Mademoiselle Fifi" mixes brutality and revenge during the Franco-Prussian War.

The Story

There's no one plot. Instead, Maupassant acts as a master guide to the human condition. He picks a character—a jealous husband, a greedy shopkeeper, a frightened soldier, a lonely woman—and places them in a situation that tests their very nature. The 'story' is watching how they react. Often, it's not heroic. They succumb to fear, act on selfish impulse, or are crushed by societal expectations. The tension comes from waiting for the facade to crack, for the hidden desire or secret shame to finally surface, usually with devastating consequences.

Why You Should Read It

I keep returning to Maupassant because he never judges his characters. He presents them with clear, precise prose and lets you see their flaws as human, not monstrous. His insight into psychology, especially obsession and fear, is breathtaking. Reading "The Horla" in our age of anxiety disorders feels incredibly current. More than that, he's just a phenomenal storyteller. He can build unbearable suspense in ten pages and deliver an ending that leaves you staring at the wall, thinking about it for days. He proves that a story doesn't need 300 pages to leave a permanent mark.

Final Verdict

Perfect for anyone who loves character-driven stories with a dark edge. If you're a fan of twist-in-the-tale short stories by modern writers, you need to meet their brilliant, 19th-century grandfather. It's also ideal for readers who want to explore classic French literature but are intimidated by huge, dense novels. Start here. Each story is a complete, powerful experience you can digest in one sitting, but the themes will stick with you for much longer.



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Christopher Taylor
8 months ago

I had low expectations initially, however the storytelling feels authentic and emotionally grounded. I will read more from this author.

Richard Sanchez
6 months ago

I have to admit, the emotional weight of the story is balanced perfectly. Definitely a 5-star read.

Kevin Nguyen
2 months ago

Based on the summary, I decided to read it and the depth of research presented here is truly commendable. I learned so much from this.

5
5 out of 5 (8 User reviews )

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